In 2016 the journal Nature published that DNA research revealed that the Australian Aboriginal culture was the oldest one on the earth. When looking to see if it possessed some outstanding property belonging to the evolution of the human species, an extraordinary discovery was made. The Indigenous Australian Dreamtime does indeed appear to hold a visual key to survival. This mindset key is consistent with the essence of Sir Isaac Newton's little known but nonetheless published conviction that gravitational force was certainly not caused by the mass of objects in space. Both mindsets are treated with dogmatic contempt by modern science.
When making such a controversial scientific statement, scientists need to present irrefutable evidence to support it. The published 28th Query of Newton's Opticks (4th ed.; 1730) is about the rewriting of science according to ancient Greek philosophy. Newton, the Australian Indigenous Dreamtime and ancient Greek science considered that the universe was an infinite living entity. That idea is in complete contradiction to Einstein's 'Premier law of all of the sciences', the Second law of thermodynamics, which demands the extinction of all life in the universe when all heat is lost into cold space. Obviously, modern science is unable to generate an infinite human survival blueprint.
Furthermore, Newton wrote in his Heresy Papers, published during the 1960s by Cambridge University Press that the "mechanical description of the universe had to be completed by a more profound natural philosophy of science based upon the principles of particles in motion". The journal, Nature, in 1989 published a paper entitled, Alchemy of Matter and Mind, written by Richard Gregory, Emeritus Professor of Neuropsychology at the University of Bristol (vol 342, 30 Nov, page 473) which contained the above statement by Newton.
Newton's third law of motion: For every action, there is an equal and opposite reaction is a crucial law belonging to Cancer Antidote 3D as it balances the energies of universal mechanistic chaos in order to evolve universal consciousness.
Einstein was a realist and his science was not incorrect but it had to obey the survival of the fittest paradigm observable in nature. When 21st Century DNA altered the rules of that science by demonstrating that all human tribes belong to one single species, the rules changed. A species that is constantly harming itself is expressing some form of a neurological cancer. Science is constantly changing, undergoing a transformation for the betterment of the human condition. At the same time the prevailing extinction conviction accelerates its contempt for that humane transition. The problem can be quickly resolved by programming a computer to entangle the extinction information with the human survival information under instructions to derive a human survival blueprint. These instructions require a more enlightened understanding of the functioning of emotional information than the prevailing scientific death cult, leading only to extinction.
During the 20th Century, Newton's discrediting of the fundamental structure of modern science took on a more ominous story-line. The existing structure of modern day 'Tribal Science' dooming itself to extinction by allowing itself to be governed by an incorrect understanding of the Second law of thermodynamics was the theme of a Science-Art lecture delivered by the molecular biologist, Sir C P Snow, at Cambridge University in 1959. The Times Literary Supplement in 2008 included his Rede Lecture in its list of the 100 books that most influenced Western public discourse since the Second World War. The reader of this article however, would most probably be unaware that Snow published the following concerning the collapse of second law of thermodynamics logic. "So the great edifice of modern physics goes up, and the majority of the cleverest people in the western world have about as much insight into it as their Neolithic ancestors would have had". However, no such Neolithic conviction that humans must become extinct existed within the Dreamtime intuitions of the oldest living culture on earth.
Sixty-two years following Snow's Science-Art survival culture concept the matter does not appear to be influencing Western public discourse. The prevailing thermodynamic global culture is now accelerating its extinction objective by the rapid growth of nuclear weaponry accompanied with obvious hostile tribal intent.
In 1972 The Founder of the American National Cancer Research Foundation, the Nobel Laureate in Medicine, Szent-Gyorgyi, wrote his 'Letter to science' adding a more menacing aspect to Newton and Snow's discrediting of the fundamental structure of modern science. Szent-Gyorgyi classified Snow's Neolithic tribal ancestors as "Crazy Apes" in which their understanding of the Second law of thermodynamics belonged to a carcinogenic mindset making the discovery of a cure for cancer impossible. He argued that increasing information entangled with the energies of extinction to evolve consciousness within an infinite universe. In quantum biology cancer research, healthy electromagnetic information is known to flow in the opposite direction to the energies belonging to the Second law of thermodynamics.
Georg Cantor, the mathematician who invented infinite set theory, which was later destined to become the basis of infinite holographic universal theory, predicted Szent-Gyorgyi's criticism of the obsolete 'Tribal Science' as a cancerous scientific mindset. Cantor diagnosed it as being infected by a "myopic fear of infinity inhabiting the modern scientific mind". Within holographic universe theory, information is considered an integral aspect of total reality with the property of being able to interact with emotion.
The association of Egyptian blue with ancient emotional artistic rituals is well documented within what the Faculty of Arts at the University of Bristol refers to as Literacy Archaeology. The Royal Society of Chemistry has written extensively about the recently discovered information properties of ancient Egyptian blue, a complex artificial pigment used for artwork. This pigment, when exposed to red light emits exceptionally strong, highly unusual infrared light, which humans cannot see but which some animals can. This bio-information can penetrate much further into human tissue than ultraviolet radiation. This is now understood to be relevant to future telecommunication and laser technology. Quantum biologists in bio-medical research are also able to associate this optics phenomenon with the workings of Cantor's holographic universe.
Photographs exist of the use of body paint pigments in prolonged ceremonies by Australian Indigenous people to firmly establish highly complex traditional survival information. Viewing these complex body-painting photographs through asymmetrical electromagnetic stereoscopic 3D glasses reveals other bio-information optics associated with future telecommunication. The Indigenous people's extraordinary longtime mindset association with the functioning of an infinite holographic universe as survival information surpasses Western science's conviction that all life in the universe must become extinct. The use of the stereoscopic glasses also reveals that in the 21st Century both Indigenous and Western artwork is now demonstrating the existence of what the philosopher of science, Immanuel Kant, termed a human survival asymmetrical electromagnetic field evolving within the artistic creative mind.
The potential for related technologies of tremendous importance is supported by the beliefs of the renowned engineer, Charles Proteus Steinmetz, who is mentioned later within this document.
During the 17th Century both Newton and his contemporary, Gottfried Leibniz, independently invented calculus. Leibniz's calculus was basic to Michael Talbot's book 'The holographic Universe', published in 1991. That book completely challenges Western science's concepts of reality. We now realise that Newton's infinite universal movement concepts merge with Cantor's conviction concerning a mathematics belonging to an infinite holographic universe. Complex human artistic emotional information can function in two directions, seemingly obeying Newton's law of equal and opposite reaction. One form of emotional information associated with a carcinogenic tribal glorification of war exists, creating an equal and opposite reaction; an artistic intuition for the human species to participate in the workings of an infinite universal reality. The balancing of the tribal scientific extinction mindset with one needed to develop the human survival technology may well be an integral aspect of holographic physics associated with Newton's Third Law.
In 1979 China's most highly awarded scientist, Kun Huang, provided Australian Science-Art researchers with the secret to discover the existence of an infinite life-force. He argued that if the nature of the life-force was discovered, modern science would be unable to comprehend its true meaning, because the Second law of thermodynamics would not allow it. During the 1980s Italy's leading scientific journal, Il Nouvo Cimento, published the Australian discovery that the seashell life-force extended to infinity. In 1990 the World's largest technological research institute, IEEE in Washington, reprinted their discovery as one of the important mathematical optical discoveries of the 20th Century, placing it alongside such names as Louis Pasteur and Francis Crick. Little notice was taken that if lifeless quantum mechanical mathematics was used to try and generate futuristic seashell life-forms only distorted carcinogenic computer simulations could be obtained. Furthermore, scientists were unable to accept that the life forms within the seashells were responsible for writing the infinite mathematics, as this contradicted the extinction logic of the Second law of thermodynamics.
Huang had been correct, modern science was unable to grasp the significance of the discovery of a living 3D stereoscopic survival mathematics extending to infinity. Nobody denied that spiders received complex engineering information to construct their webs but seashell life forms were not allowed to receive infinite evolutionary information to construct their shells. A far more serious aspect of science's carcinogenic mindset became obvious. Within the ancient Greek science the nature of political evil was made clear within Plato's book 'The Republic'. Evil was described as the destructive property of unformed matter within the physical atom, able to emerge to destroy civilisation. This nuclear emergence of evil was considered within ancient Greek science to occur if science was developed from information received from only human sense perceptions, in particular from visual perception. Although the Manhattan Project was obliged to build the atomic bomb before Hitler's psychopathic regime did, nobody thought about constructing the lost Greek political 'Science for ethical ends'. As a result the threat of nuclear warfare is now very real, with the aftermath a potential carcinogenic catastrophe beyond measure.
Genius mathematical information merged with human emotional curiosity at the dawn of recorded history in Mesopotamia. The Sumerians, by observing celestial movement gave us our 7 day week of 24 hours per day with each hour of 60 minutes. This intuitive gasp of time on earth was given direction by a circle containing 360 degrees. Both are now integral aspects of our exploration of deep space. While that intuition retained its scientific integrity into the 21st Century the Sumerian concept of infinity was destined to spawn violence and chaos throughout thousands of years of evolving tribal history.
Sumerian clay tablets record mythological warring gods from a dark abyss constructing hybrid humans from clay and later bestowing immortality upon various keepers of the Ark during the Great Flood. Together with the mythological worship of Inanna, the goddess of sex and war, such fanciful mythology appears as unlikely as the Australian Aboriginal animal shape-changing mythology. However, the Australian Indigenous concept of infinity has now become a rigorous measurable mathematical concept. Its association with a human survival concept, basic to workings of a holographic universe now appears to be far more important than the Sumerian intuitive time-direction reality associated with the exploration of outer space.
The Sumerian culture was replaced by that of the Babylonian Kingdom and the goddess Inanna became Ishtar, the goddess of prostitution and war. The Sumerian astrological mathematics was developed by the Babylonian priesthood who discovered how to accurately predict eclipses. A clay tablet exists written by a priest to the King of Babylon, which predicted the 673 BC Lunar eclipse. It contained the message that the gods demanded that the Babylonian populace was to be terrorised by the eclipse and that the King was to then instill a sexual frenzy for warfare to expand the boundaries of the Kingdom.
Ralph Waldo Emerson, the leader of the mid-19th Century transcendentalist movement, was familiar with the deceitful Babylonian mathematical legal system. Emerson argued that the American Plutocracy, government by the wealthy, had enslaved the American people into a perpetual debt system inherited from the Babylonian judicial system. His solution to this problem lay within ancient Sanskrit mathematics, in which the evolutionary process led to infinity instead of extinction, alluding to a new form of human survival technology.
Encyclopedia Britannica lists the German philosopher, Immanuel Kant, as arguably one of the greatest philosophers of all time. Kant laid the foundations of the electromagnetic Golden Age of Danish Science based upon the difference between aesthetics as art appreciation and ethics as an evolving spiritual wisdom through art. Both Kant and the philosopher, Emmanuel Levinas, agreed with the Greek philosopher and mathematician Plato, that aesthetically pleasing art was intrinsically unethical. They both concluded that Plato, over two thousand years ago, was searching for what they referred to as an asymmetrical electromagnetic spiritual wisdom evolving within the creative artistic mind.
While a huge library of books have been written about why Plato used the properties of magnets to condemn artistic aesthetics as evil, modern everyday reality easily explains it at once. The mathematical intent programmed into a poker-machine to bring some people into states of financial and moral bankruptcy is currently used to raise considerable revenue for the Australian Government. By using artistic sound and colour electromagnetic vibrations, heroin-like compulsions can be generated to compel some people to enter into a state of bankruptcy. Plutocracies use similar stock-market stratagems over longer periods of time, waging financial wars against each other to protect the people they represent from falling victim to foreign policies and ideologies.
Countless examples exist to demonstrate that tribal warrior courage and bravery were given public poetic acclaim and inspired aesthetically pleasing art-forms, used by governments to stimulate completely unethical public activity. The Roman Government legal system once claimed that the use of mathematics to construct beautiful aqueducts as an art form to being fresh water to the people of Rome was superior to the building of useless Egyptian pyramids. It considered that its Colosseum was the epitome of Greek artistic culture, yet for centuries it was used to excite people with insatiable lust for unethical, sadistic entertainment.
Plato's warning about society becoming enslaved within a consumer society through seductive artistic inducements, predicted the present use of nonstop global television advertising. The psychopathic rhetoric used by Adolph Hitler accompanied with dramatic artistic pageantry and poetic dialogue was undoubtedly evil. The present use of artistic buildings using religious indoctrination to excite warfare can be considered part of a tribal necessity to successfully wage war. Plato's electromagnetic aesthetically pleasing evil is now obviously evident in association with the mathematical intent programmed into an electronic poker-machine to bring some people into states of financial and moral bankruptcy. The number of casualties and refugees associated with such plutocratic misuse of artistic aesthetics is now threatening the structure of global society.
Professor Timothy Morton of the Rice University in Texas is considered one of the world's prominent philosophers. He associated Plato's electromagnetic demonisation of art in technical terminology as consistent with the functioning of a holographic universe. His book 'Art in The Age of Asymmetry' associated the 'Demonic Force of Art' with the physical universe's symmetrical gravitational field. Ethical asymmetrical field information activity, in its entanglement with gravitation evolved universal consciousness, as predicted by the Nobel Laureate, Szent-Gyorgy. Morton's brilliant research has been associated with the future development of a new asymmetrical electromagnetic technology.
Morton's Art in the Age of Asymmetry echoes Kant and Levinas' conviction that Plato had been searching for a spiritual asymmetrical electromagnetic field, which they had deduced was evolving within the artistic creative mind. Charles Proteus Steinmetz (1865-1923), mathematician and electromagnetic engineer, was the inventor of the physical electromagnetic power industry in the United States of America. He wrote that ignoring a spiritual asymmetrical electromagnetic technology was a great mistake as it would have been far superior to the technology he was paid to invent.
Szent-Gyorgyi's criticism of our cancerous science preventing the discovery of a cure for cancer was not about providing a medical cure for cancer victims at this time. It is about a science that will allow a new medical science to come into existence that will be capable of that. The Plutocratic financial acumen needed to wage wars of destructive information is, from a Neolithic Tribal Science viewpoint, a common sense prerequisite necessary for tribal survival. If the Plutocratic logic is simply entangled with antidote information within a computer designed to generate a human survival blueprint then that blueprint will become available. Once it comes into existence the relevant 3D holographic human survival technology can be developed for the betterment of the global human condition.
The artist, Salvador Dali, was a genius who was convinced that paintings could contain important invisible stereoscopic scientific messages. His painting Geopoliticus Child depicts the birth of a child born into C P Snows 3rd Science-Art society, free of the scientific limitations imposed by an obsolete Second law of thermodynamic culture. Currently a twelvemonth Dali 3D art exhibition is being held at the Dali Stereoscopic Museum in Spain where complex stereoscopic equipment is used to view two of Dali's paintings side by side in order to reveal their 3D message. Dali's protege, Louis Markoya is also presently exhibiting 3D fractal paintings at The Bridge Gallery in Colorado Springs, USA. In Australia, Australian Indigenous paintings are on exhibition alongside Western artwork with far more dramatic stereoscopic 3D images made more readily visible when simply viewed though asymmetrical electromagnetic stereoscopic glasses.
High-tech spectroscopy discoveries provide a precise and accurate way to prove the viability of the notion of conscious fractal holograms. However, the visual artistic evidence presented in Australia is now far more relevant to high-tech quantum biology human survival research than was ever imagined possible.
The problem at the moment is that the information upholding the obsolete 'Tribal Culture' has created a 3D global epidemic spread by the mass production of dysfunctional communication and information devices. Government appointed epidemiologists have classified this global 3D epidemic but have no antidote, admitting that the best they can do is to try and mitigate the great sociological damage it is now causing. The potential damage of the 3D global epidemic of dysfunctional Science-Art information would be Szent-Gyorgyi's tribal cancer entering into a sociological terminal state.
From the data submitted within this article the antidote to this epidemic was not difficult to discover by researchers able to think beyond the scientific restrictions imposed upon government appointed epidemiologists. High resolution pictures of the human cell about to divide exist and its geometrical shape is immediately recognized by epidemiologists as an infinite electromagnetic fractal geometrical expression. Although they have written that the antidote must be associated with what they refer to as a 'Cantorian sensibility', they are unable to associate fractal infinity with Cantor's infinite mathematical living process. The human metabolism generates asymmetrical electromagnetic fields interacting with symmetrical force fields. The field generated around a healthy cell at the point of division will not allow dysfunctional energy information to be transferred to contaminate the replica daughter cell during the process of cellular division. This denial of the evolutionary supremacy of second law extinction is not tolerated by prevailing science.
In 2016 Australian Science-Art, in collaboration with Italian quantum biologists and Quantum Art International, discovered the antidote for the global 3D dysfunctional information epidemic and Australia was internationally chosen to be the country to launch this discovery, as an integral aspect of the 21st Century Renaissance. The Australian Government's Ministry for Communication and the Arts was fully advised about this proposed Science-Art project but replied that all Science-Art grant applications must conform to the prevailing understanding of science. The Ministry then refused to discuss the matter further. As a result of this rejection European quantum biologists and Quantum Art International in 2016 presented the antidote theory, together with associated artworks at an International Competition of Contemporary Art, sponsored by the World Fund for Arts in Moscow. During the presentation it was awarded a First Prize and in 2017 the President of that organisation, in association with Quantum Art International, established a Science-Art Research Project to develop a futuristic human survival technology in Russia.
Serious concern exists that if antidote information is improperly fused with artificial intelligence already affected by the epidemic, then a global catastrophe will occur. In 2017 two American Universities created a 'Time Crystal' demonstrating that the understanding of the Second law of thermodynamics is an optical 3D illusion of reality. They also stated their intention to fuse information relevant to the antidote information into artificial intelligence memory technology. The human survival information contained in this article must be introduced to the general public as soon as is possible.
Arthur C Clarke's extraordinary film documentary 'Fractals The Colours of Infinity' is about a mathematical discovery that extends itself to infinity. Clarke considers this infinity to be greater than the life of the universe, echoing the present comprehension of the Second law of thermodynamics. From the perspective of an infinite living holographic universe this denial of the existence of quantum biological non-carcinogenic living information is the greatest problem threatening the survival of the human species.
During the documentary the discoverer of fractal mathematics, Benoit Mandlebrot, outlined future physical technologies associated with obtaining fractal information from photographs. He mentioned a curiosity concerning art, admitting that it was not known if the human brain contains apparatus for fractal application. What Mandelbrot didn't know was that the human brain is quite capable of creating fractal stereoscopic images and visual evidence exists to confirm this. Australian Indigenous paintings along with an international collection of artwork not only provides such verification but along with this information is the extraordinary Dreamtime conviction that this is a crucial aspect of reality.
http://www.science-art.com.au
Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html
Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.
As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, the Dorothy Knox Fellowship for Distinguished Persons, and at Yangzhou University in China. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.
